(Part One) (Part Two) (Part Three)

Mr. Baseball was a added to my Baseball Movie Classics list based on three things: it’s about baseball, Netflix suggested it when I was adding these movies to my queue, and it stars Tom Selleck. I think I may have inherited my fondness directly from my mom, who has a non-secret Thing for him. (Looking at my dad, maybe it’s the mustache?) Personally, I’m a sucker for a dude with a deep, good-sounding voice, and Tom Selleck fits the bill. Or maybe I just love Three Men and a Baby/Little Lady and transfer that love to Tom Selleck in general. Okay fine, I like Tom Selleck! So sue me!

Ahem. Anyway, in Mr. Baseball, Tom plays aging first baseman Jack Elliot. He’s old, there’s a new first baseman in town, and the only team interested in Elliot is the Chunichi Dragons in Japan. So Elliot goes to Japan, where he is instantly a big star. To be perfectly honest, this movie was kind of boring and I may have… slept through a good chunk of the middle and part of the end as well. It’s not so much about the game of baseball, but about the brash American Jack Elliot having no respect or understanding for Japanese culture or its impact on baseball. (For example, there’s a big to-do about how Japanese players consider the field to be sacred, meaning no spitting. So Elliot shows how annoyed he is about the rules and strictness by chewing a big wad of tobacco and spitting on the field.) It was made in 1992 and comes off as dated, but not in the charming way, in the this-is-verging-on-offensive way. And as much as I love you, Tom Selleck, I couldn’t even stay awake for the meat of the movie. So perhaps I was a bit brash in adding this to my list. But that’s part of why this project is a ton of fun.

(Part One) (Part Two)

The latest picks in my baseball movie marathon were strictly comedies, which is always a good thing when it comes to baseball. We started with Major League, an obvious classic that I had only seen once before. This is one of those movies that amazes me now to see how many future stars appear. Before we go any further, I LOVED it. It’s hilarious, and the comedy holds up to the test of time. Although some of the characters and parts of the plot show up in other baseball movies (injured veteran catcher leads the team, young hotshot pitcher who has no control, asshole team owner wants them to fail…), Major League puts it all together perfectly. Incidentally, Wikipedia tells me that Charlie Sheen was a pitcher in high school, and managed to get his fastball up to 85 mph during filming. How cool is that? Perhaps this movie rings true to me as a Mets fan, watching my team SUCK the past few years despite their talent (not to mention a super-speedy Wesley Snipes (aka Jose Reyes) and a bald, goateed superstitious slugger (aka Carlos Delgado)). It’s just a good story about a team that pulls together. It’s funny, it’s got good montages (made better by the addition of newspaper headlines as the season nears the end), Bob Uecker is perfect as the Indians’ announcer, and I love the cuts to the fans’ reactions at first when they suck and then as they get better. Maybe it doesn’t say important things about the spirit of baseball, but it’s one of the best comedies I’ve seen in a long time, and it’s going on my annual baseball-is-almost-here movie watching list, without a doubt.

We then watched Major League 2 which is also really funny, but doesn’t hold up to the original at all. The cast of characters is largely the same, swapping Wesley Snipes for Omar Epps, who is good but clearly doing an imitation of Snipes’ version of Willie Mays Hayes. Tom Berenger’s character is too old to be competitive, so he joins the coaching staff. There are a few new misfits added to the bunch; this movie chronicles the season just following the success in Major League. It definitely feels like they were trying to recapture the magic of the original movie, but they don’t quite get there. It’s not without hilarious moments, though. There’s a young catcher who can’t throw to the mound. Charlie Sheen’s character has tidied up his image and lost his ability to blow pitches by the batters. It’s another classic baseball comedy, but I didn’t love it nearly as much as the original. Dan assured me that the third one (Back to the Minors!) is not worth a viewing. Maybe one day. Still, it’s hard to turn down a baseball comedy, so don’t rule this one out completely.

The third baseball movie we watched this week was Mr. 3000, starring Bernie Mac. This is the only remotely recent movie on my list (it came out in 2004), and was recommended by my brother. I was a little skeptical, because Bernie Mac plays an asshole first-baseman who alienated all of his teammates and fans in his pursuit of 3000 hits, topping it off by retiring the same night he achieves the goal. The bulk of the movie takes place nine years later, where a 46-year-old Stan Ross is frustrated because he keeps missing the Hall of Fame. It turns out that a statistical error was made, and he only has 2,997 hits, so he decides to make a comeback in order to get those last 3 hits. This is one of those movies where you’re not loving the main character, but grow to root for him as the movie goes on. He clashes with his new teammates, who are obviously much younger, in better shape, and don’t think they need him at all. His struggles are hilarious, but the movie has a lot of heart. I wasn’t expecting to laugh so hard. This movie was really great, and I love how it ended (but I won’t ruin it for you). I’m glad we included this one, and Bernie Mac is fantastic.

(Part One)

The storm this weekend meant that we got in one day of baseball movie watching. First up was Little Big League. This is one of the many children’s baseball movies that came out in the 90s, movies that I remember awfully fondly. (See also: The Sandlot, Rookie of the Year, Angels in the Outfield) Dan campaigned for this one to be included in our study because it holds up to the test of time despite a very weak actor playing the main character. And he was right. It’s a great, if unlikely, story, about a kid whose grandfather dies and leaves him the Minnesota Twins. After arguing with the Twins’ manager, twelve-year-old Billy names himself the manager. It’s fairly straightforward from there: single mom is romanced by the first baseman. Old grizzled reliever resents having a kid as a manager. But what this movie has going for it are a bunch of really fun team members, clever trick plays, former MLB players playing the baseball players in the movies (including former Met Kevin Elster!), the Twins’ actual radio announcer, Chris Berman doing Baseball Tonight, and cameos from big-name 90s baseball greats like Ken Griffey, Jr, Pudge Rodriguez, Paul O’Neill, Randy Johnson, Lou Piniella and Rafael Palmeiro. You don’t see that kind of thing any more, and it’s just flat-out cool. Oh! And don’t let me forget that this movie contains a sweet baseball montage to “Centerfield” by John Fogerty. Which is kind of essential. It’s a good story and it’s funnier than you think. Good stuff.

Bull Durham was next, and this one carries a lot of weight. I’ve only seen it once, but both Dan and my brother list it among their very favorite movies. This was part of Kevin Costner’s late 80s baseball movie trifecta, and it’s GOOD. I mean, this is an amazing movie. Because this movie focuses on a really terrible minor league team, it’s unique. It’s about baseball and love and loving baseball, and about wanting to make it in the majors. And about sometimes not making it. Tim Robbins is hilarious as a clueless hotshot rookie who has no control on the mound, while Susan Sarandon is the woman who adopts one player each year and makes him great. But it’s even more about Kevin Costner’s character, and old catcher whose last hurrah will be grooming Tim Robbins to make it big. Maybe this movie’s strength comes from the fact that it was written by a guy who played in the minors for five years and really understands what that means. Another “Centerfield” montage, a fast-talking manager, and a really great cast of characters only add to Bull Durham’s charm. It’s funny, it’s sexy, and it’s a great story. So, so, so good. Don’t watch it with kids. But I love it.